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Notable Past Projects and Clients
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Sho'Arishon Park 
Town of Lincoln | Interactive Signage & Placekeeping | 2025

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​Sho'arishon Park is a unique natural and cultural space that celebrates the ecological significance of the Twenty Mile Creek valley while recognizing the Indigenous stories that continue to shape the region. The park features interactive interpretive elements that encourage visitors to engage with the landscape through language, sound, and storytelling.
​Having spent considerable time exploring the site and observing the wildlife that inhabits the valley, I was honoured to contribute to this project through the creation of audio content for its interactive components. 
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Under the direction of Cortney Corbeil, working in collaboration with the Niagara Regional Native Centre and the Lincoln Museum & Cultural Centre, I recorded local youth sharing Indigenous and French language translations of animal vocalizations found within the valley, as well as the word for water.
This placekeeping project emerged from a genuine collaboration between cultures, generations, and ways of knowing. The kindness, enthusiasm, and generosity of the organizers and participating youth made a lasting impression, and I am grateful to have played a role in helping visitors experience the site through language, sound, and connection to place.
Contributing to Sho'arishon Park reinforced that meaningful cultural projects are often rooted in listening—both to the land itself and to the communities who carry its stories forward.
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Branches
​FirstOntario Performing Arts Centre | St. Catharines | 2023

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Branches was a collaborative exhibition featuring artwork created by clients of Start Me Up Niagara—individuals navigating significant life challenges including homelessness, substance use, and social instability. Over a three-month period, participants gathered through a combination of structured workshops and open drop-in sessions to create both individual works and large-scale collaborative pieces.
The exhibition title emerged from conversations surrounding growth and the various directions life will take us. This led to the development of the project’s central work: a large tree painting that evolved over time through the contributions of dozens of participants. Leaves, marks, textures, and personal additions accumulated gradually, transforming the piece into a living reflection of collective presence, growth, and shared experience.
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Beyond the artwork itself, the workshops became safe spaces for open conversation, creativity. The process generated moments of joy and connection among participants, often serving as a reminder of the beauty found in and around each and everyone. Through art-making, participants created opportunities for dialogue and expression that felt uninhibited, insightful, and grounded in mutual participation rather than barriers or labels.


​Gordon Reeve's Niagara Strait

RiverBrink Art Museum | Produced and Directed by Justus Duntsch | Niagara On The Lake | 2020
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​Created as a special project for RiverBrink Art Museum, Gordon Reeve's Niagara Strait documents the creative journey behind artist Gordon Reeve’s large-scale public sculpture Niagara Strait, commissioned for the Niagara Parks Botanical Gardens in Niagara Falls. The film traces elements of the work’s fabrication, installation, and public unveiling while offering insight into Reeve’s artistic process and the ideas that shaped the project.

Through interviews, observational footage, archival material, and live musical performances connected to the sculpture’s unveiling, the documentary explores the relationship between landscape, public space, and artistic vision. Rather than simply recording an installation process, the film seeks to reveal the layers of thought, collaboration, and inspiration that underpin the creation of public art.

Carl Beam: Us and Everything
St. Catharines, Ontario | Co-Curatorship | FirstOntario Performing Arts Centre | 2019
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​Us and Everything brought together works by acclaimed Ojibwe artist Carl Beam (1943–2005), one of the most influential figures in contemporary Indigenous art in Canada. Presented in downtown St. Catharines, the exhibition explored themes that continue to resonate today: interconnected histories, identity, environment, technology, spirituality, and relationships between Indigenous and Western worldviews. The exhibition included works from Beam’s later periods, including selections associated with The Columbus Project and The Whale of Our Being.
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Taking on a co-curator role alongside Olivia Hope with the City of St. Catharines, our involvement extended beyond installation and presentation. The project involved shaping visitor experience, coordinating exhibition presentation, supporting public dialogue, and helping create a space where contemporary art could function as a site for reflection and community conversation. The exhibition opening also included public programming and panel discussions examining Indigenous–settler relationships within Niagara.
Beam’s work often collapsed boundaries between personal narrative, science, politics, ecology, and mythology through layered imagery and visual juxtaposition. His approach to interconnected systems and relationships continues to influence my broader thinking around cultural practice, public engagement, and socially focused creative work. 


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Thank you to all of our clients and local institutions that have engaged our services! 
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Copyright Juice Willis Entertainment 2026
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